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Most of the time I would animate in the render view, and I was so pleased with how fast Harmony would render each frame as I was animating it. I was impressed with how fast Harmony is. Was there anything about this project that surprised you? I had a lot of fun and I was so happy to meet the other artists and learn about their amazing work. I came up with an idea and a character and had a wide range of tools to fulfill my vision in this project. Here I was given complete creative freedom and I was very happy about it. How did this sequence compare in scope with other projects that you have worked on in the past? There are so many styles to try - including watercolor, pastel and chalk.Īlso the compositing tools: I could find all the effects I needed for the project within Harmony, and it’s convenient because you can see the final result right away in the render view.Ĭoncept art for You Can Sing from the Harmony 20 demo video by Anja Shu. I’m very happy with a wide range of textured brushes and pencils that Harmony has to offer. Which features in Toon Boom Harmony were most useful on this project? Did you use tools on this project that you wouldn’t have otherwise explored? To enjoy more of watercolour design in animation, I suggest watching: Ernest and Celestine directed by Stéphane Aubier, Vincent Patar and Benjamin Renner (2012), The Big Bad Fox and Other Tales directed by Benjamin Renner and Patrick Imbert (2017), Adam and Dog directed by Minkyu Lee (2011) and The Red Turtle directed by Michaël Dudok de Wit (2016). What are some sources that you draw inspiration from in your work? We enjoy your visual style and design sense. I used the overlay blending mode and a glow effect node, and I’m very happy with how it turned out. In this project, I’ve spent a lot of time on glowing candles and little reflected lights dancing on the singer’s face and clothes.
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I believe that little details are very important, even though sometimes we may not notice them in the scene. What was the most technically or artistically challenging element of your scene? What are you most proud of? Layout Image for You Can Sing from the Harmony 20 demo video by Anja Shu. But I also wanted some elements to stay the same and unite the two contrasting settings, like the roses that fall on stage later come together in a vase.Īlso the curtains - at first it’s a red stage curtain and later it’s a curtain on the window. So I carefully plan the transition - I have the lines and the colors move separately, warm candle lights turn into cool electric lights, and the chandelier on the ceiling becomes a simple lamp. Backgrounds should always serve the story and the actions of characters in the scene. I think of the background as a live character as well. What did that process of planning out this transition look like? We noticed that every element in the transition between the opera and the singer’s home moves. But she’s not losing her creativity and she’s doing a dance in front of the mirror. When she’s at home, everything is all the way around - she’s wearing simple clothes, no make-up or updo, the background is in cool tones and candles turn into simple electric lights. The background is in warm tones, there’s gold and candles around. She’s on stage, her gestures are wide and she’s putting her heart into the signing. I wanted these two sides to be contrasting, so at work our character is wearing an elegant dress, a wig and red lipstick. My line was, “You can sing, you can dance,” and I had this idea of an opera singer character being creative both at work and at home. The whole project is about discovering creative sides of personality. What was the prompt that you were given, and how did you interpret it for this project?
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We interviewed Anja about the scene she contributed to the demo pack for Harmony 20 as well as her advice for experimenting with textures and watercolour effects in animation. The aesthetic style of her frame-by-frame animation is directly inspired by traditional art materials. These teams were drawn from both the Toon Boom Ambassador Program and our international community, and were given total creative freedom on their scenes.Īnja Shu is a 2D animator from Kyiv, who has contributed to a number of animated feature films, shorts, series, commercials and games - and was selected to be a Toon Boom Ambassador for 2020. To showcase all of the features in Toon Boom Harmony 20, we invited seven artists and teams to produce a demo video, each contributing scenes inspired by a short prompt.